T
hey passed an ordinance in the town:
they said we'd have to tear it down,
That little old shack out back so dear to me,
Though the Health department said,
"Its day was over and dead"
It will stand forever in my memory.
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C
horus:
Don't let em tear that little brown building down,
Don't let em tear that precious building down,
Don't let em tear that little brown building down,
For there's not another like it in the country or the town.
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I
t was not so long ago that I went trippin' through the snow
Out to that house behind my old hound dog
Where I would sit me down to rest like a snowbird on his nest
and read the Sears and Roebuck catalog
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I
would hum a happy tune,
Peepin' through the quarter-Moon,
As my daddy's kin had done before;
It was in that quiet spot,
That daily cares could be forgot...
It gave the same relief to rich and poor.
|
C
horus:
Don't let em tear that little brown building down,
Don't let em tear that precious building down,
Don't let em tear that little old building down,
For there's not another like it in the country or the town.
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N
ow it was not a castle fair
But I could build my future there,
an' build my castles to the yellow jacket's drone:
I could orbit round the Sun,
Fight with General Washington,
Or be a King upon his golden throne.
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I
t wasn't fancy built at all.
It had newspapers on the wall
It was air-conditioned in the wintertime;
It was just a humble hut but its door would never shut,
And a man could get inside without a dime.
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C
horus:
Don't let em tear that little brown buildin' down,
Don't let em tear that precious buildin' down,
Don't let em tear that dear old buildin' down,
For there is not another like it in the country or the town.
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F
rom time to time I get comments from people with memories of outhouses. Here is one such instance of memories of not only outhouses, but Billy's song...
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I
was 12 in 1963, the year of the W. Va. state centennial
celebration, an age when one is especially fond of titillating songs
about unmentionable subjects. It was also the "age of Aquarius", a
time to reconsider the mores of society. It was good (for a closet
hippie like me, living a clean, short haired, traditional West Virginia
family life) to have a hero like Billy Ed do his part to question the way
we look at our little part of society in a clean fun way.
They sponsored a high profile art contest in Charleston that year.
The art was to depict W.Va. culture or history. The first place
winner was titled "the West Virginia Moon" or something like that.
I saw fuzzy pictures in the newspaper and once saw the piece at
an exhibit, but remember, I was a 12 year old kid with only marginal
interest in high-brow things like "modern" art. As I recall, the
"Moon" was a large piece of weathered board with a blue
crescent moon painted on it, and maybe a crescent cutout. It was
clearly intended to depict an outhouse door in an "artistic" way.
This was a big scandal around Charleston. The newspapers
discussed it for weeks. Some "outsiders" had infiltrated the
judging committee and brought disrespect to a major cultural event.
Billy Ed Wheeler was one of my favorite artists. I remember his
outhouse song playing on the radio and remember seeing him
perform, sometime in that same decade, at the annual West
Virginia arts and crafts festival held at Cedar Lakes. (This large
event is still going strong. Held usually during the July 4th week.
There's usually plenty of outhouse art there.)
Billy Ed became a folk hero of sorts around those parts for a few
years and then he seemed to disappear. I've occasionally
wondered what happened to him and his music. I never was one
to be a music groupie, buy music or seriously follow any particular
style of music. I've only recently had access to the internet. Some
subliminal influence caused me to think of Billy Ed Wheeler's song today
and it occurred to me to type his name into a search engine. That brought me
to your very impressive site. Thanks for your part in documenting this
vital part of our vanishing culture.
I went on from being a kid in Charleston WV, to get a B.S. in Civil
Engineering from W. Va. Tech and an MS in Civil (Sanitary)
Engineering from WVU. I'm now an environmental consulting
engineer living, working and raising a family in Lakeland, Florida.
(home of the other fly-in, another suppressed, unrealized passion of
mine) After a short job at the W.Va. Department of Natural
Resources, I worked for 8 years for a large sanitary engineering
consulting firm in Charleston (we now call ourselves environmental
engineers, its politically correct). There I met Mr. Harry Gidley, PE,
one of the firms founders who was retired but hung around all the time
until his health failed. Mr. Gidley often grumbled about the EPA and
government bureaucracy in general. "Sanitary engineering was fun in the
old days when you could practice creatively". He told me that the most
fulfilling part of his long and illustrious career was the first job he
got after graduating from the University of Pittsburgh in the late 1920's.
He went to work with the newly created W.Va. Department of Public Health.
His assignment for the first few years was to develop and implement an
outhouse education and construction program. The program taught people
the proper way to construct outhouses and encouraged their use. He felt
that the program was instrumental in a dramatic drop and virtual
elimination of serious water borne diseases like cholera in the state
during the late '30s.
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B
ack to Billy Ed Wheeler's song. The verse of the song that sticks
in the mind of this civil engineer, who appreciated the cultural
impact of modern highway construction in W. Va., went something
like:
Oh, the Interstate is coming through our outhouse,
They say that it's on their right-of-way,
They'll take a big steam roller, and flatten my two-holer,
I'm making my last visit there today.
It's my impression that Billy Ed was one of those sort of mountain
folk-song artists that didn't get hung up on the exact wording of a
song. I believe he made up verses and different versions of songs
each time he performed them. I like both versions that you listed
on the site. Maybe my recalled verse was from another similar
song but I don't think so. Good luck in your search for the rest of
the song. Thanks for confirming that my ancient memory was not a
dream.
H
ere's another comment...
Yo and Howdy.
FWIW, your first lyric set is *very* much as
I heard the song on the radio in East Tennessee,
circa Fall of 1964. And yes, I had reason to
remember, as an actual outhouse was commandeered
for use as a homecoming float that year, at
Maryville College. More on that story if you're
interested -- enough to say we were delighted
to have a song on the radio like that at the same
time.
In my never wrong (yeah, right) memory, the final
stanza included *humble* hut, rather than *simple*.
and the other difference was in the second verse,
which began "Well, it was not so long ago...."
That last is probably unimportant, but the alliteration
of the humble hut is, well, memorable... although, as
one respondent suggested, there may have been several
versions.
Thanks for recording the lyrics, that's what I went
web-surfin' to find :-) I remembered most of it,
but couldn't recall what led up to the golden throne.
Your 2nd set of lyrics is I believe, an incomplete and
somewhat re-organized version of the first.
I later received another comment from the same person:
Further research turned up a missing stanza -- Here's the song as close as I'm able to get from several net sources and what remains of my memory.
Ode to the Little Brown Shack Out Back
They passed an ordinance in the town,
They said we'd have to tear it down,
That little brown shack out back, so dear to me;
Though the Health Department said
Its day was over and dead,
It will stand forever in my memory.
******************** REFRAIN ******************
Don't let 'em tear that little brown building down,
Don't let 'em tear that little brown building down,
Don't let 'em tear that little brown building down,
For there's not another like it,
in the country or the town.
*************************************************
Well, it was not so long ago,
That I went trippin' through the snow,
Out to that house, behind my old houn' dog;
There I'd set me down to rest,
Like a snowbird on her nest,
An' read the Sears and Roebuck catalog.
I would hum a happy tune,
Peepin' through the quarter-Moon,
Just like my daddy's kin had done before;
It was in that quiet spot,
That daily cares could be forgot...
It gave the same relief to rich and poor.
******************** REFRAIN ******************
Now, it was not a castle fair,
But I could build my future there,
an' build my castles to the yellow jacket's drone:
I could orbit round the Sun,
Fight with General Washington,
Or be a King upon his golden throne.
It wasn't fancy built at all,
It had newspapers on the wall,
It was air-conditioned in the wintertime;
It was just a humble hut,
But its door was never shut,
And a man could get inside without a dime.
******************** REFRAIN ******************
(sung twice at the end, 2nd & 3rd lines changed,last time)
Don't let 'em tear that little brown building down,
Don't let 'em tear that precious building down,
Don't let 'em tear that dear old building down,
For there's not another like it
In the country or the town.
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This Home Page was created on October 24, 1998
Most recent revision November 11, 2001
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